Alice Doesn’t Live Here Anymore
Actually, Alice never lived here . . .
Nonetheless, for the past couple days I been receiving emails from some guy spamming me with messages intended for the Alice Blue Review. How these messages are finding their way to my inbox I have no idea (anymore than I can fathom why messages that are intended for me occasionally don’t arrive at all). What is clear is this guy named Louis Marvin is intent on getting ABR’s poetry editor, Amber Nelson, to visit his website where he has posted some poems.
Forget about the fact that poetry editors almost never accept work posted on a personal website (I say, “almost never” because I have, on a few occasions, published poetry first posted to a personal website. However, those poets were writers I’d previously published whose work I liked) — no, what is truly strange is the email message itself:
if you google: Louis Marvin Poems
writings that are from today to recent pasts come up from poems, editorials and prose stuffs.
another great day in hawaii!
fish and turtles are fed, plants watered, child tutored, and my teeth cleaned at kahala mall! listen to YES sometime and you lose your mean bones!
Right now, I’m wondering if I should forward this message to Amber Nelson.
09/06/2011*Note: “Louis Marvin” contacted me to let me know that his spam mail was an “accident.” He claimed that it was only intended as a private message for a few friends. Not sure I buy that. What kind of mail program is he using that he can accidentally send bulk email like that? And how did I end up on that contact list since I don’t even know the dude?
The Last Open Mic
I don’t like change. Whether it’s because I’m a Taurus or because I’m just set in my ways.
When one chapter in my life closes despite my own intentions to maintain the status quo, I usually require an interlude to get my bearings before I can move into the next chapter. Throughout the last year, I’ve been trying to hold fast against the forces of change. As life grows and crumbles around me, I’ve held onto every remnant of safety I could find. Then, last week, I received a cryptic email from the owner of my old home mic, Brenner’s Brew, where I peddled my sorry-ass poetry from more than a decade. After mulling over Barbara Brenner’s message for a couple of days, I decided to drop by the much loved and nearly legendary coffee house to say, “hi” and see what the what was.
“Oh John, I’m glad you stopped by,” Barbara said. Then, as if to add more suspense to the mystery, you led me to a dim corner near the back of the room.
“I got you’re message,” I said. “What’s up?”
“I’m afraid I have some bad news.”
Oh no, I thought, Barbara’s dying!
No. Not dying. But something almost as bad.
“I’ve decided to close up the shop,” she said.
“Brenner’s Brew is closing?”
“Yep. I can’t do it anymore.”
I knew business has been bad since the economy tanked a few years ago. But I, like, most of Barbara’s customers/poet-artist types, kind of took it for granted that she’d weather the storm and the Brew would press on.
I think, at that moment, I was too shocked to react honestly to the news. I instead played it cool and responded with the usual cliches when someone delivers bad news.
But really, the news was a wake-up call of sorts. A sign that there is simply nothing left to hold onto. A definitive close to a big chapter in my life that began with a profound heartbreaking disappointment in January 1997 and subsequently led to a artistic shift in my writing life and subsequent discovery of Brenner’s Brew and founding of Asterius Press.
I remember the first time I met Barbara. It was just a couple of months after she opened. There was also a new book store, The Hungry Reader, which had opened around the same time. I had been talking with Kitty, the book store’s owner, about carrying my first poetry chapbook. She agreed to carry it on consignment, but then suggested that I talk to Barbara Brenner, who’d was starting up an open mic. I met Barbara shortly after and formed a fast friendship. Less than a month later I read my poetry there for the first time. It was me, a Native American storyteller and a folk duo called My Louise. The open mic nights went through many incarnations and many hosts over the years. Saturday, February 19 will be the last poetry event at Brenner’s Brew ever (Really. . . you may recall that I announce the demise of the open mic nights in 2007, but that turned out to be a false alarm. They started up again a few months later. No, this time its for real. No more Brenner’s. The current host, Chris Ney, will move the open mics to the nearby Bridgetown . . . but it just won’t be the same <sigh>).
Anyway, thanks Barbara. For your all your support over the years. 14 years is nothing to sneeze at. Being as most poetry venues don’t make it past their second anniversary, 14 years is an eternity in the life of a poet.
Kiss My Asterisk
So I recently published this poem by this poet who uses the asterisk as mark-up to call for italics. Since he didn’t state his preference in his cover letter, I didn’t italicize his text. My bad, I suppose. But, I didn’t appreciate his snotty email after publication telling me how I didn’t format his poem properly. I’m thinking, you send a poem that’s poorly formatted to begin with and you use the asterisk, what do you expect? I’m no soothsayer. I formatted the poem as best as I could. And, to be fair, I fixed the poem shortly after reading his email. That’s not the problem.
See . . .
I must be getting old. Seriously, when did the asterisk become the method of choice for calling for italics in text? For as long as I can remember, one underlined text in hardcopy and used the underscore for italics in digital text — the asterisk was used for bold.
Okay, sure, I realize it has changed for many people. And I wouldn’t complain about that in cases where a writer says in his cover letter, "the asterisks are intended to be italics." Because it’s confusing. Sometimes asterisks = bold print and sometimes the asterisks = italics and sometimes the intent is just the asterisk. That’s why, in text submissions, I prefer the writer to use HTML tags — it’s so much less confusing for me. When I have one writer who uses the asterisk correctly and another who likes the asterisk for italics and another writer who just has an asterisk fetish, I don’t have to figure out which is which.
Anyway, back to the poem in question: You can read it in the latest issue of Gnome: the online journal of underground writing, which is now online.
