Diary of a Mad Editor

Dear Uptight Grammarian:

You know — honest to Christmas, I wasn’t originally going to respond to your email. It’s been sitting in my inbox for 2 weeks and I was going to delete it today. I get a little sick of reading the same complaints by knuckeheads like you who have nothing intelligent or substantive to say beyond the usual whining. It gets tiresome trying to come-up with witty retorts and there’s really very little sport in it for me these days. But, I was chatting with another literary editor yesterday and we were talking about the use of vulgarity in writing, so I thought I could cover that topic by way of a response to you.

Before I address your point about my use of “vulgarities” let me say this about my blog:

1) Yes, I do bend the rules of grammar/mechanics to some degree. This blog is written in a certain style and I bend those rules to fit that style. The manner in which I write this blog merely reinforces everything I’ve said about good writing. If you don’t understand that, I’d suggest you read through my blog more carefully.

2) My “snide, unprofessional attitude”? Is there some special edicate manual for literary editors I’m supposed to know about? I’ve read and responded to thousands and thousands of submissions over the years, and I’d defy but the tiniest percentage of those thousands to even suggest that I was ever unkind or unfair to them. And if I did trash that tiny percentage of writers, they had it coming as far as I’m concerned.

3) Last time I checked, this blog was called Diary of a Mad Editor — not Diary of the Warm, Fuzzy, Well-Manicured Editor so, get over it.

Now, about “vulgarities”:

Yes I do curse to some degree in this blog and elsewhere. But I only use obscenties when they seem appropriate. I’ve never said to any writer not to use obscenities in their writing — only that they use that language when necessary and not frivolously. Foul language, seemingly inappropriate subject matter, extreme violence, explicit sex, gallows humor, taboo subject matter of any kind — all of these things have a place in written communication. Anything that is a part of our human experience has a proper place in our literature. This was what I was discussing with my editor friend. When you write about a subject, you have to be true to that subject. You can’t sanitize it if the subject, by it’s very nature, is unsanitary. Fuck that. Fuck censorship. How are you going to write about something convincingly if you restrain yourself that way. As a writer, you have to embrace the idea of an appropriate level of language. That doesn’t mean that you write something purely for it’s apparent shock value. What it does mean is that if you are writing about a dock worker, for instance, that he walk, talk, dress and exhibit many of the traits of someone of his social class and experience. Same goes with soldiers or cops or anyone else. If you write about a pedophile, you have to capture all the things about him that make him creepy and wrong no matter how taboo.

Now, I realize I’ve deliberately strayed from your email’s topic, but only somewhat because, despite your protestations to the contrary, I think I’ve demonstrated in a roundabout way that I do very much practice what I’ve been preaching.

Can I get an “Amen”?